hallelujah i'm a bum film

I’m a Bum establishes its radicalism is by reframing what might otherwise seem radical in the context of the 1930s and rendering it tame in order to make way for an even more revolutionary stance. The trash collector is especially perturbed at them because they, via Bumper, extol the virtues of perpetual unemployment rather than labor. If we were thinking of taking comfort in the idea that the children’s chorus offers a minority viewpoint insofar as the singers are juveniles, Hallelujah! Rated the #33 best film of 1933, and #8358 in the greatest all-time movies (according to RYM users). Instead, during the performance the film cuts from child to child in closeup, focusing on their faces, and the effect is thoroughly unsettling. A 1933 musical comedy film is titled Hallelujah, I'm a Bum. In one beautiful tracking shot in the bank where Bumper and his companion Acorn find work for a time, we move from two men discussing a substantial financial deal worth hundreds of thousands of dollars to men discussing a deal that is worth only hundreds of dollars, and finally we see a man at a teller’s window trying to cash a check for a meager five dollars. Perhaps the vagrant existence has always been always fraught with danger, but the potential for vagrants to be a danger to the fundamental fabric of society has rarely been embraced by film with so much pleasure. Hallelujah, I'm a Bum è un film statunitense del 1933, diretto da Lewis Milestone.. Trama. Bumper gives up his job and returns to the park, content to live out the rest of his life as a hobo. HALLELUJAH I'M A BUM is one of the best examples of Jolson's charm and wit as a performer and although the film is a quirky period piece, it should be of interest to anyone who appreciates musical theater. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Hallelujah I'm a Bum es una película dirigida por Lewis Milestone con Al Jolson, Frank Morgan, Madge Evans, Harry Langdon, Edgar Connor .... Año: 1933. Escribe tu opinión para que el resto de los usuarios la pueda leer. I’m a Bum is a pre-Code, Depression-era musical starring Al Jolson and Henry Morgan that seeks both to amuse the audience with comical characters and a healthy dose of light opera, and to unsettle us with a portrait of a down-and-out society on the verge of revolution. The camera pans to show an enormous stream of newspaper on the ground, which Egghead will have to collect all over again in a kind of endless cycle of fruitless work. Al Jolson performing 'Hallelujah, I'm a Bum!' I should note, because I have not already, that the idea that the hobos of Central Park are living the hobo life out of deep reverence for the freedoms and pleasures it affords them, rather than out of some deep necessity or possible dysfunction, is a quaint idea that has the potential to distort reality and misinform. Sunday: Chester Conklin. Required fields are marked *. I’m a Bumis a pre-Code, Depression-era musical starring Al Jolson and Henry Morgan that seeks both to amuse the audience with comical characters and a healthy dose of light opera, and to unsettle us with a portrait of a down-and-out society on the verge of revolution. Egghead is angry at Bumper’s menagerie of hobos because they will not find work (interestingly, this idea is not voiced Mayor Hastings, who represents the film’s uppercrust contingency). is surprisingly modern. Consider the context of the movie’s references to communism, made frequently but without positioning the resident and dominant communist voice of Bumper’s Central Park, the trash collector Egghead, as an abhorrent or dangerous force. Consider how this scene could have potentially been presented: we could see the mayor beaming as we hear the voices of the children singing in a sequence that reassures us of the stability, coherence, and order of the American way of life. The movie ends with a shot of Acorn hanging up Bumper’s clothes back in Central Park, with Bumper outstretched on a bench, back to the life he knows well, wearing a grin on his face.

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