rhetorical devices in disney songs

Saved by Joy Sexton Poetic Devices In Disney Songs. Classroom Humor Disney Classroom Teaching Poetry Teaching Reading Disney Lessons Rhetorical Device Similes And Metaphors Literary Terms Teaching Secondary. Alice in Wonderland [Literary Devices] Hyperbole: ‘While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words.’ The baby howling represents a hyperbole because it is describing how loud the baby was crying… I asked them for an evaluation at the end of class, and they specifically mentioned appreciating the clarity of the individual pieces of the plan and the way they fit together. Occasional course announcements and special offers Fact: Disney songs are great. Our next graph shows key and tonality usage, where “major” is king with 80% of songs using it. Watch, if you dare! Next, we watched the clip from The Lion King quoted on the sheet. Finally, since the plan of the class includes teaching rhetoric through looking at the genres around performance as well as performance itself, students examined a review of a local production. Next, let’s cover something for all the drummers reading this (are there drummers reading this? The next step teaches students to pull out examples of logos in text that is not attached to performance. In the lion king, scars hyenas unexpectedly realize how bad scar is, turn on him, and kill him. Fact: we love Disney songs. In Katy Perry's song "Dark Horse", "Your enemy" is repeated more than once to add rhythm to the song. This rhetorical device comes from the Latin word and means dissuasion. Speaking of tempos, here are all the BPMs graph-ified! Each student should stop after reading one line and suggest a premise or conclusion that might come out of it. Brush up on your use of theory with our free course series, How The Weeknd’s “Blinding Lights” Takes Beethoven’s Ideas to #1, How to Compose Music When You Can’t Read It, How D’Angelo Uses Funky Dominant Sevenths in “Sugah Daddy”, A Harmonic Analysis of Radiohead’s “Weird Fishes/Arpeggi”, How Secondary Dominants Can Make Your Chord Progressions Less Boring, Songs That Use Found Sounds in Intriguing Ways, 7 Hip-Hop Producers Pushing the Genre in New Directions, Work 1-on-1 With a Grammy-Winning Producer and Songwriter. In this way, you will gain a thorough understanding of how performance makes arguments, how we speak about performances, and what we mean when we use the word “performance.”. "Cause you're Hollywood". Brush up on your use of theory with our free course series Theory for Producers! So I finally decided to analyze the most popular Disney songs of all time — 70 to be exact (including hits like “Be Our Guest,” “Heigh Ho,” “The Bare Necessities,” “Can You Feel the Love Tonight?,” and so many others) — throwing all the data into spreadsheets, and comparing it across a range of metrics. "Cause we got that fire, fire, fire". And I could write thousands more words on this, but let me just sum up a few of my favorites, one from each colored section. So, around then “Disney” went from meaning Walt Disney himself to the company tasked with extending his legacy, and I guess there were some growing pains. But there are, I think, a few rules that pop out: Be complex with your song crafting, but don’t let your complexity stick out as being complex. I always did, because they always stuck with me. or "based on the book!" Is your “inner geek” piqued? All materials posted to this site are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. I provided the students with the second worksheet attached here (Disney Logos Worksheet.) Alright, above we have a graph that lays out song-form section usage. - The Rhetoric of Disney The Walt Disney company often promotes its productions with the phrase "based on a true story!" Familiarize yourself with the clips of the performances. Weekly digest of new Flypaper articles. I grabbed all of the songs’ chord types, tempos, meters, tessituras, and other statistics, and when the dust eventually settled, it revealed some pretty illuminating facts and figures! Read this useful list of other common rhetorical devices and boost your rhetoric! One such example would be “I’m starting to feel sick and tired of all your rambling” 33. Learn what you want, whenever you want, with total freedom. Dean Olivet received a Music BA in Duluth, MN, but he’s more proud of his French Horn Trophy, Jug Band Trophy, and his plaque that reads "Best Musical Act at the Minnesota Renaissance Festival." Types of Rhetorical Devices . ), there are around 40 basic chords (triad types) you can play against the backdrop of a tonal center. Ported to Drupal for the Open Source Community by, Introducing Ideology with HSBC Advertisements, Using TV Tropes to Teach Narrative Devices, Teaching Kairos through Allegorical Performances, Chronological Annotated Bibliography Using Dipity, Inventing Audience: Lessons from the Marketing Department, Exploring 18th-19th Century Crime Broadsides Online, Generating Consensus on Textual Interpretation Through Circulating Critique, Teaching Ethos Using Online Dating Profiles, Color-coding Revision - Visualizing the Process, Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Alliteration: "Shining, shimmering, splendid". But we've answered them anyway. The worksheet also includes a sequence of premises and conclusions (it will be helpful for the reader to look at the worksheet at this time) leading to what I believe to be one of the major arguments of the movie. Saving the best for last, here’s a graph of triad type usage trends. Sometimes it’s because they turn into hope-giving life mottos. In addition, we encourage you to comment on your experiments with and adaptations of these plans so that others may benefit from your experiences. Last up, we have two charts with chord data (which I lumped and boiled down to just basic triads, not including modulations, and no doubles for inversions, extended tetrads/pentads/hexads, suspensions, or shiny crystal sequins either). Doesn’t this all just open up a whole new world of looking at these songs?! The concept of rhetoric used within writing was a brand new concept to me, so it was a clunkier approach with the writing because rather than interpreting or explaining the message within the story, I was to descriptively analyze the details that preview the message or solidify … Tangled . The course will also investigate the rhetorical techniques that artists, advertisers, critics, and audiences use when speaking about performance. After examining the arguments of and around the piece, you will select a rhetorical aspect of the performance or an argument about it to analyze in detail, showing how it makes and supports a claim. So I finally decided to analyze the most popular Disney songs of all time — 70 to be exact (including hits like “Be Our Guest,” “Heigh Ho,” “The Bare Necessities,” “Can You Feel the Love Tonight?,” and so many others) — throwing all the data into spreadsheets, and comparing it across a range of metrics. She is imitating the sound of … Most of these songs used more than 7 basic triads, and to put that into perspective, only 7 triads are even possible if you limit yourself to only the notes of a major scale! So, what we have here are directional motions down the left side, with the lowest bar tallying modulations down a perfect 4th, and the highest tallying modulations up a tritone. As for the minor diatonics, it’s of note that the ♭VII (flat seven major) and iv (four minor) are the most common, which means that not only are they popular in their own tonality, but that other keys like to borrow them as well. This assignment uses clips and text from Disney movies to teach students to analyze logos as part of a unit on rhetorical analysis. Dehortatio. Yet curiously, nobody used them after 1959 — that’s over 50 years ago. This interactive hihaho video was created by Personal container - Tina Spurlock. Go around the classroom reading a line each from the MLK worksheet. Walt Disney Pictures Deus Ex Machina is an unexpected event that saves a hopeless situation. Be prepared to share your example with the class. After they had some time to work, I called on a few students to share the arguments they'd found. We help curious musicians meet their goals with creative online courses. Or that the most common modulation is up a major 2nd? But this is no surprise when you remember that Disney produces mostly happy (major) music that uplifts the listener with hope, about things like princesses and their cuddly sidekicks, while tunes in minor or blues tonalities have historically tended to concern things like your lover cheating on you and your creditors confiscating your mule, and like, slavery. Every student needs a copy of each of the two worksheets attached to this lesson plan (MLK I Have a Dream Logos and Disney Logos Worksheet.). Also, 11% of songs used more than one meter, which should serve as a reminder that you’re allowed to do that when you write songs. Or that there were 8 diminished triads (out of only 12!) Rhetorical Devices in Disney Songs Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Deus Ex However, when I think of songs that include personification as a major component, Ben Gibbard's relatively recent ode to the Smith Tower in Seattle called “Teardrop Windows” comes to mind. Fact: Some Disney songs are a little more great because of some truly awesome lyrics. Interesting. Photo gallery Greatest Rhetorical Questions In Pop See Gallery Subscribe to get unlimited access to all of our course content, an invitation to join our members-only Slack community forum, exclusive perks from partner brands, and massive discounts on personalized mentor sessions for guided learning. Mmm, probably not. Want to get all of Soundfly’s premium online courses for a low monthly cost? The first thing you’ll see is that Disney didn’t put out a lot of good music in the ’70s and ’80s, probably because Walt died at the end of 1966. 2) Personification Giving human voice to objects and animals is a very common part of many poems and songs. Saved by Kristina Young. Similes and metaphors are familiar ways to convey complex ideas through language. If you’d like to dig deeper into these charts and the terminology I’m using to describe them, please visit my blog, where I unpack these stats even further over the course of several videos, and also where you can scroll through the full Google spreadsheet yourself. This beautiful Disney song is enough to bring out the sentiment in all of us – but it has personification that cannot be ignored. Alliteration is typically used to create flow, and to create onomatopoeia when someone is reading aloud, which is why it is often found in poetry and song lyrics. Lastly, for now, there is an average of 8.5 different chord triad types used in each song — that’s not even including inversions, voicings, or colorings! Rhetorical Devices in Disney Songs. Disney / Via disneyvillains.wikia.com Definition : A device in which virtue is ultimately rewarded or vice punished, often by an ironic twist of fate intimately related to the character's own conduct. I started by making an inductive proof of that claim based on the performances that we had discussed in class so far, in all of which we'd been able to find arguments. Occasional course announcements and special offers. Create a more musical internet with us, one email at a time. However, what is also interesting to note, is that when the non-cuddly Disney characters get songs, they’re almost always in minor. The movie centers around the lives of two sisters, kind-hearted Anna and the frightened Snow Queen Elsa. Students will engage with performance as argument, including visual rhetoric and other forms of non-verbal argumentation. A “tessitura” is a range of melody, and what we see here is that most ranges were from an octave to a perfect 12, which I didn’t find to be all that interesting. These are not your average four-chord pop tune loops, people! Whatever you want to learn, whenever you need to learn it. + Learn more on Soundfly: Do you make electronic music? Anaphora Sam Hunt Subscribe now to start learning on the ’Fly. One thing I noticed about secondary dominants was that the VII (seven major), often functioning as a V/iii, is used second to least, and also that its secondary dominant target, the iii (three minor) chord, is also the second to least used chord amongst its diatonic friends. Our first graph gives us a little perspective on the timeline of the best Disney songs. This rhetorical device entails the use of a conjunction between two words that grammatical isn’t really all that necessary. and . I guess it’s also relevant that these songs can only be around 2 or 3 minutes long, since they eat up film-time, so there isn’t a lot of room for repeated choruses. Poetry in songs In your table group, pick a popular song to analyze. Of the miscellaneous oddballs, I’d like to gawk a minute at the ♭v (flatted five minor), because of how it functioned frequently as a rare and refreshing secondary supertonic chord. The above graph represents number of chords per song. Last, proportionally, swung songs seem to really like to change tempos as well. used more often than the familiar major diatonic viiº (seven diminished) chord? “Secondary Supertonic” — look that up if you haven’t fallen down a rabbit hole in a while. But after that, came the solid “Renaissance” block in the ’90s. This is "Day 135 Guided Practice Vid - Rhetorical Devices in Disney Songs" by Mr. Falzone on Vimeo, the home for high quality videos and the people who… Oh yeah, one more thing… “And they lived happily ever after!” The end. Meanwhile, “minor” and “blues/rock” tonalities split a fifth between them. Amidst the colorful characters in Disney movies are storylines that sound a little familiar. Brave . They should be seen like the vibrant colors of fireworks and be heard Rhetorical Analysis of Disney's Aladdin For this essay, I was to rhetorically analyze a topic of my choice. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Assignment #4: Rhetorical Song Analysis A rhetorical analysis aims to understand how a particular act of writing or speaking influences a particular audience at a particular time. Then, taking the conclusion of this inductive proof, "every performance has an argument," as a premise for the deductive proof, I added "X student will bring in a performance next time," and concluded "X student will bring in an argument next time." When it comes to song form, Disney songs have more unique instrumental sections than any other type of section, including verses and choruses! Disney/Pixar’s . (It is saying the shooting star is like him. the composers would use instrumental passages, not your average four-chord pop tune loops, + Learn more on Soundfly: Do you make electronic music? He keeps a record of his guitar curriculum online for a quick reference when he spaces out and can’t think of anything to teach his students. For instance: Did you know that the most common tempo used in Disney songs is 106 BPM? Figurative Language in Disney Songs A Whole New World A Spoonful Of Sugar Onomatopoeia (From Mary Poppins) Alliteration (From Aladdin) Emma Worth An onomatopoeia is when a word imitates a natural sound "Snap!" Key change! This course will explore the rhetoric within and around artistic performance, including theatre, music, dance, and performance art. You will select a specific performance that interests you and engage in an in-depth written exploration of its rhetorical situation: the performer, the audience, the time and place, the arguments made by the piece itself, and the … Determine how they function to develop the theme and/or appeal to the audience. We followed the same procedure of group work and then class discussion. Song Rhetorical Analysis of "Firework" by Katy Perry By: Stephanie Saloka The song is about telling all people that feel down or worthless that they should show their true colors and stand up for themselves. To begin with, it’s the V (five major) chord, not the I (one major) chord, that was the overall winner, found in 97% of songs. The purpose, audience, genre, context, and inferred meaning of a text all come together to create its rhetorical situation. Get music news and tips delivered to your inbox once a week. To quote famed musicologist Minnie Mouse, “If you’re not modulating in your songs, I don’t know what you’re doing!”. The Essence of Rhetoric in Disney Music will introduce you to the basic history and concepts of Rhetoric, and demonstrate those concepts by allowing you to experience the rhetoric in the music at Walt Disney World.Starting with the prayer theory of Homer and the ancient Greeks, we learn that Flattery, Quid pro Quo, and appeals for consistency are persuasive. Well honestly almost all of the rhetorical devices that exist are used in Hip-Hop songs. witch is … And above all, whatever the innards, make sure the song serves the story — sometimes in film that can mean more instrumental interludes than choruses! Well, that’s it for tidbits, so what do you think? For more on the individual keys of each song, I’ve published all of my statistics on my blog, so if you’re really looking for the nitty gritty of this study, head here. Sometimes it’s word choice, devices like alliteration or assonance that make the lyrics so great. Awesome, gimme some knucks, geek-power! Read the review by yourself and pull out one example of a logical argument with premises and conclusion. The whole song is written from the point of view of the … I’ve color-coded them here by major (Ionian), minor (Aeolian), secondary dominant, augmented, diminished, and miscellaneous. James Taylor wrote "Sweet Baby James" during a road trip to Virginia in honor of his brother’s new baby, also named James, … Rhetorical Analysis: Disney’s Frozen Walt Disney Productions prestige is to never disappoint and their latest movie Frozen, is no exception. After the students had completed the Aladdin side of the worksheet, we reconvened as a class and went through the argument from initial premises to the final conclusion. (Repeats the S) Personification: "i am like a shooting star". Have you ever wondered if there was some kind of magical formula to all those memorable Disney movie songs you grew up with? Oh, and if you’re really jonesing for some Disney magic, you can check out this ultimate Disney song playlist while you read along. Quick, someone write a thesis! Irony Examples in Disney Movies • Snow White’s Apple – Snow White and the Seven Dwarves The apple that puts Snow White into a deep sleep is dramatic irony, because the audience knows that the Wicked Stepmother cursed the apple, but Snow White does not. 7. The course will also investigate the rhetorical techniques that artists, advertisers, critics, and audiences use when speaking about performance. + Welcome to Soundfly! I had them go around, read the examples line by line, and pull out premises and a conclusion, which I wrote up on the board in the form of a logical argument. This final step doesn't have to involve a review, though -- it could make use of any genre of rhetoric relevant to the course you are teaching. These are just two examples of 'rhetorical devices' and there are plenty more where they came from. I put the students in groups and had them fill out the worksheet by finding the conclusion from each set of premises on the sheet and then introducing the conclusion they had discovered as a premise in a new stage of the argument (combined with a new premise from the song that I put on the sheet.) by Caitlin J. Saladino Dr. Sara VanderHaagen, Examination Committee Chair Professor of Communication Studies University of Nevada, Las Vegas This project addresses messages about gender expectations in Disney princess narratives. I gave the students the first worksheet attached here (MLK I Have a Dream Logos,) which has examples of deductive and inductive reasoning from the I Have a Dream speech. That’s because the common colloquial phrases your grandparents used in your childhood (aka idioms) are hiding in these films in plain sight. We invite you to use and remix these materials, but please give credit where credit is due. Based on this info, might there be a formula to writing the perfect “Disney” song? This assignment was not evaluated or graded. A different sort of music school for today's musicians. And like I alluded to at the beginning of this article, this is some pro songwriting right here. What better way to create an emotional aversion to a sinister character than to score his point of view in minor! personification. Evil Dr. Porkchop flying pig to you. So there’s that. Find four different literary or rhetorical devices. If we take into account the fact that these songs are written for film, and therefore need to accommodate pacing and dialogue, catching up to the picture so to speak, it’s not actually that surprising that the composers would use instrumental passages to kill a few seconds here and there. That disclaimer out of the way, I divided songs up by (I)nstrumentals, (V)erses, (R)efrains, (P)re-choruses/interludes, (C)horuses, (B)ridges, (T)ags, and (O)utros, with the “numbers” referring to variations or new swaths of that same section type, and “lowercase” referring to shortened sections. And the thing to notice here is that Disney songs like to modulate up short distances, also down a minor 3rd (also known as “relative modulations“), and up and down by perfect 4ths. So I decided to color-code by “diatonic instances” (a fancy way of saying how many times that interval can happen in a tonality) to make the graph look prettier. Borrowed chords, secondary dominant/leading chords, substitutions, common tone augmented/diminished — it’s bedlam out there. Now, there are a bunch of synonyms and ways I could have done this. The thing to notice about the meter usage chart isn’t the blue spike in 4/4 common time (that’s why they call it common time), but the big showing for songs in 2/2 cut time, and its big red appendage, which exemplifies how deeply fun it is to change tempos when you’re playing in two. Still with me? Analyze at your own risk. The first step in the lesson is to define logos and provide basic examples of inductive and deductive reasoning. Whether it is historical context, a classic fairy tale, or a bestselling novel, Disney clearly presents movies to be created from the context of a previous popular work. He has fun putting out recordings of his music, but these days he finds making videos about other people's music to be just as fun. Get into groups and work through the premises and conclusions in the Disney Logos Worksheet. + Read more on Flypaper: “4 Tips to Help You Start Writing in Irregular Time Signatures”. Subscribe now to start learning on the ’Fly. The total tally was 73 modulations found in 70 songs! And as far as tonal centers go, you can see that, predictably, “sharps and flats” keys get the short end of the stick, but much more so when it came to the published versions of the songs as opposed to the film versions. So (again, not including inversions, etc. Devices in this category seek to convince and persuade via logic and reason, and will usually make use of statistics, cited facts, and statements by authorities to make their point and persuade the listener. Students responded well to the methodical progression of this lesson plan. I asked them to work individually to find one logical argument, with premises and conclusion, in the review. MKTO's "Classic" lyric is a hyperbole because he's trying to show the girl he'd do anything for her. You will select a specific performance that interests you and engage in an in-depth written exploration of its rhetorical situation: the performer, the audience, the time and place, the arguments made by the piece itself, and the discussion surrounding it. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Then read on, for ten charts of Disney song stats just like these are to follow. What’s perhaps more interesting than the graph itself was the fact that, in this study, there were slightly more modulations than there were songs! in Disney’s . + Read more on Flypaper: “Who Needs Triads? Prepare a Presentation on the following: Determine theme. Rhetorical devices are loosely organized into the following four categories: Logos. Please introduce yourself in the comments). #5: Careless Whisper (by George Michael) I’m never gonna dance again Guilty feet have got no rhythm You could use any example of inductive and deductive reasoning relevant to your class. Throughout the entire song there are many layers of personification – this is just a sample! From Tina to Travis, here are 12 questions posed by pop songs that aren't crying out for answers. It's useful to provide an example that is specific to the class or the class's interests. For example, my class was Rhetoric of Performance, which depends on the basic contention that every performance has an argument. Go through both worksheets and pull out premises and conclusions for yourself, so that you have an idea of what the arguments your students find will probably look like. Idioms and common catch phrases like these: When pigs fly: That’s Mr. In other words, Disney can’t really go Dylan. We can see that the slow jams like it best in the 60s, with a relative dip in the 70s, and then the mountain range ranges from the 80s through the 130s, with some consistent showings through around 176 BPM, and then some faster blips. The I+ (one augmented) chord and the III+ (three augmented) team of harmony notes were used in a tidy 10% of songs. At this point, it was time to introduce the Disney movies. And here’s a graph that just proves people like to repeat verses, choruses, and refrains — which everyone already knew, but I mean, again, aren’t all the colors pretty?

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